Painting "Snake River" by Toni Morgan.

In the world of contemporary art, Toni Morgan stands out not only for her captivating expressions, but also for her commitment to community through her role in the Dry Canyon Arts Association.

As the organization’s artist of the month for February, Morgan shares her multifaceted journey as an artist, writer and community advocate. This exclusive interview delves into her background, creative process, and her role as the marketing coordinator for DCAA that includes the Dry Canyon fall art show.

Toni Morgan’s journey into the world of art began in a home where creativity was a constant companion. Despite an academic detour into history, her calling in art remained undiminished. Those sensibilities were further shaped by global travels, notably Morgan’s time in Japan. This period was not just about absorbing a new culture but also about engaging with its artistic traditions, particularly pottery.

“Learning to wedge clay and throw off the wheel was a unique experience,” said Morgan.

Those experiences, interwoven with her historical knowledge, provided a rich tapestry for artistic expression.

Morgan’s choice of materials and techniques is as varied as her experiences. She chooses acrylics for wood-based artworks and oils for canvas, which allows her to adapt to the demands of each medium. Morgan said her extensive travels have served as a rich source of inspiration, with countless photos transformed into vivid paintings upon her return. This method serves as a bridge, connecting her experiences with her artistic creations, allowing her to capture not just the visual beauty but also the essence of the places she has visited.

Morgan’s artworks are a reflection of her passion for travel and a deep-rooted interest in history and geology. Her fascination with structures and landscapes, from European cathedrals to Oregon’s farmhouses, is evident. She doesn’t just paint these structures; she weaves stories around them, pondering over their historical significance and the lives they’ve witnessed. This storytelling approach adds depth and context to her art, inviting viewers to not only appreciate the visual beauty but also to engage with the narratives behind them.

Morgan’s creative process is a fascinating blend of artistic and narrative elements. Her approach varies with the medium. Wood paintings are more experimental, featuring cultural patterns and vibrant colors, while canvas works are more contemplative and story-centric.

“I feel that painting is telling a story with color and writing is painting a story with words.” she said.

Inspiration for Morgan’s art comes from a lineage of artistic talent. Her parents, both accomplished artists, have shaped her artistic journey. Her father’s intricate bird carvings and her mother’s transition to bold, colorful paintings in her later years influenced Morgan’s artistic preferences.

Morgan’s path in both art and writing has been marked by challenges, chiefly the need for persistence and self-promotion. For emerging artists, Morgan’s advice is to first clarify goals. Whether creating for personal satisfaction or public recognition, the approach differs. She encourages learning from those with more experience, experimenting with different styles, and embracing both risks and criticism.

“The art is what you do, it’s not what you are,” she said. “Learn from it.”

Morgan’s upcoming projects are a mix of her artistic and literary pursuits. She plans to showcase her work at Cascade Hasson Realty and is launching a new website for her prints. In her writing career, she is excited about the republication of her novel “Queenie’s Place,” published by T.K. Books.

Morgan’s involvement with the DCAA as marketing coordinator has been a journey of community building and artistic promotion. Her crowning achievement was the Dry Canyon Fall Art Show. The event not only showcased the talent within the DCAA, but also served as a platform for artists to connect with the community. Morgan said she believes that active participation in such communities enriches the individual artist’s experience and strengthens the collective creative fabric.

Among her myriad creations, a painting of a church near Cinque Terra in Italy holds a special place in Morgan’s heart. Rendered in varying shades of grey, this painting captures the church’s ancient beauty and mystery. It symbolizes her connection to history and her fascination with the stories embedded in architectural marvels.

Toni Morgan’s journey in art and literature is a compelling narrative of passion, perseverance and community engagement. Her work transcends mere visual appeal, embodying stories, histories, and personal experiences. Her role in the DCAA and her success with the Dry Canyon Fall Art Show exemplify her commitment to not just creating art, but to nurturing a vibrant artistic community.